BOOK ADAPTATION RIGHTS MARKET 2025 THE SELECTED PUBLISHERS AND LITERARY AGENTS

La Biennale di Venezia is proud to announce that the 10th edition of the Book Adaptation Rights Market (August 29– August 31, 2025), organized as part of the Venice Production Bridge, has selected 30 international publishing houses and literary agencies plus 4 for the VPB Focuses (2 within the Focus on the United Kingdom supported by British Film Institute, 1 within the Focus on Chile supported by Ministerio de las Culturas, las Artes y el Patrimonio, Gobierno de Chile and 1 within the Focus on Morocco is supported by Centre Cinématographique Marocain).

The 10th edition of the Book Adaptation Rights Market, organized as part of the Venice Production Bridge, will take place at the Hotel Excelsior at the Lido di Venezia, during the forthcoming 82. Venice International Film Festival. The VPB Focus 2025 will be dedicated to the United Kingdom, Chile and Morocco. Following the call which was launched on January 14th, the Book Adaptation Rights Market has selected 30 international publishing houses and literary agencies plus 4 for the VPB Focuses (2 within the Focus on the United Kingdom supported by British Film Institute, 1 within the Focus on Chile supported by Ministerio de las Culturas, las Artes y el Patrimonio, Gobierno de Chile and 1 within the Focus on Morocco is supported by Centre Cinématographique Marocain.

The 34 publishers and literary agents invited to this year’s event of the Book Adaptation Rights Market are: ·        Astier-Pécher Literary Agency (France) ·        ALT autores editorial (Spain)  ·        Andrew Nurnberg Associates (United Kingdom) – Focus on United Kingdom ·        Banke, Goumen & Smirnova Literary Agency (Sweden / Cyprus) ·        BAO Publishing srl (Italy) ·        Blue Ocean Press (United States of America) ·        Carlsen Verlag GmbH (Germany) ·        Catrina Wessels Rights Management (South Africa) ·        Editions HSN / Humanoids / Boîte à Bulles (France / USA) ·        Editorial Anagrama S.A.U (Spain) ·        Gruppo editoriale Mauri Spagnol (GeMS) (Italy) ·        Giulio Einaudi Editore (Italy) ·        Giunti Editore/Bompiani (Italy) ·        Grandi & Associati (Italy) ·        Gruppo Feltrinelli (Italy) ·        Gyldendal Group Agency (Denmark) ·        Hanser Literaturverlage (Germany) ·        Jacaranda Books (United Kingdom) – Focus on United Kingdom ·        Kein & Aber (Switzerland) ·        La Corte Editore (Italy) ·        Madrigall (France) ·        MalaTesta Literary Agency (Italy) ·        Milflores Publishing (Philippines) ·        Mondadori Business Unit Ragazzi / Sperling & Kupfer / Piemme (Italy) ·        Mondadori Libri SpA (Italy) ·        Otago Literary Agency (Italy) ·        Outsiders Storytelling & Beyond (Morocco) – Focus On Morocco ·        Rowohlt Verlag Gmbh (Germany) ·        S. Fischer Verlag GmbH (Germany) ·        Silvia Meucci Agency Group (Italy) ·        Singel Publishers (Netherlands) ·        Susanna Lea Associates (France / United Kingdom / USA) ·        Trayecto comunicaciones (Chile) – Focus on Chile ·        Zeitgeist Agency (Belgium) The Venice Production Bridge will provide a dedicated area to meet the producers registered to the Venice International Film Festival through one-to-one meetings. The meetings will allow to foster lasting relationships and to make deals on the adaptation of novels, dramas, children’s literature, short stories, comics, graphic novels, essays, and biographies.  The Book Adaptation Rights Market will enable the invited publishers to propose their entire catalogue for film adaptation, rather than focusing on a single book, as opposed to other events dedicated to publishing within the scope of film festivals. A brochure featuring all the publishers and literary agents, along with their new titles and catalogues will be sent to all registered producers beforehand.   Ever since its first edition, the Book Adaptation Rights Market has met with great success as proven by the publishers’ requests to participate again in this event, as well as by a growing demand from the producers looking for original intellectual properties (IP).